Reviews

Home

 

The Brat Pack: The E! True Hollywood Story

One of the most recent installments of this documentary biography style series focused on The Brat Pack, the teen stars of the '80s made famous in various John Hughes movies as well as others.

I was so excited to see this show because I LOVED all these movies growing up. I must have seen The Breakfast Club at least 50 times. My cousin had taped it off HBO (so it was the unedited version!) and we watched it over and over until we had literally memorized all the dialogue. My best friend was completely in love with Rob Lowe, so we had seen St. Elmo's Fire many, many times as well. I was excited to relive the past, feel the nostalgia and find out whatever happened to all of them.

This show did not really deliver. Let me get the good stuff out of the way first. The structure of the show worked well. Rather than following one person from beginning to end, then going back and showing another person's life, the show went year by year and updated you on what each member of the Brat Pack was doing that year. This enabled them to add in some commentary about what was going on in the industry and world at that time and provided added insight into why things happened.

Also, E! devoted two hours to this topic, which I think was necessary. I can't imagine exploring the topic in only an hour minus commercials. They focused on 8 members of the Brat Pack, so that gives about 15 minutes for each actor.

And that's about it for the good things. Now on to the bad:

First, I had some issues with the fact that they decided to focus exclusively on the following eight actors: Molly Ringwald, Anthony Michael Hall, Ally Sheedy, Emilio Estevez, Rob Lowe, Andrew McCarthy, Judd Nelson and Demi Moore. While they are certainly the core members of the Brat Pack, they could have at least mentioned some of the other big players of the day. How about Matthew Broderick? John Cusack? Mary Stuart Masterson? Lea Thompson? All of these actors were contemporaries of the ones mentioned, and yet according to this show, they never existed. I understand that they had time constraints, but a mention would have been nice. The show's criteria for members of the Brat Pack was "starred in The Breakfast Club or St. Elmo's Fire" - any other movies apparently didn't count.

Second, the friends and witnesses they interviewed were hardly insiders. One of their key "experts" to give us insight into the behavior of the actors and the phenomena was the guy who played the janitor in The Breakfast Club! Hello? This guy was in the movie for all of 5 minutes, and suddenly he's an expert into why Emilio Estevez and Demi Moore broke up? Their second key expert was a guy who wrote a quickie bio on Molly Ringwald that is out of print. This guy was suddenly an expert on why Rob Lowe taped himself having sex, and what Demi Moore's motives were in marrying Bruce Willis. I kept expecting them to interview Andrew McCarthy's mailman or Anthony Michael Hall's chiropractor. Obviously, they would have insights to share.

Third, they ignored aspects of each actor's career in order to support their theories. Molly Ringwald was a Hollywood outcast until her series "Townies". This conveniently forgot that fact that she starred in Stephen King's The Stand two years earlier. "Fine," I thought, "they forgot about The Stand. No biggie". Not two minutes later, they bring up the fact that Rob Lowe received favorable critical attention in The Stand for his portrayal of a deaf-mute. This is just one example where the filmmakers would make an assertion and I would yell at the TV, "What about this movie? What about this one?"

Another example would be their assertion that after The Breakfast Club, Anthony Michael Hall's career tanked. Hello, Weird Science anyone? I seem to remember that being a fairly popular movie.

I realize that some of these issues were a matter of lack of time to fully explore each actor's career, or to include more actors. The problem with this theory is my final complaint. Each time the show went to or came back from commercial, there was a segment that lasted at least a minute showing pictures from various movies, and repeating the bit just before the commercial, in case you fell asleep or something. These useless bumpers took up at least 12 minutes of time, which could have been put to much better use. Also, each time they talked about a movie, they showed an extended scene. And I mean extended - during the clip from St. Elmo's Fire, I felt like I watched the whole movie. These clips could also have been cut to make more room for useful information.

All in all, good idea, bad execution. It may be that the actors and their friends and families refused to cooperate, and thus limited the amount of interviews being done. This does not excuse sloppy research though. I give it a 3 out of 10.